![]() ![]() Using the Hindi film Lipstick Under My Burkha (Dir. In exploring the affective and embodied relationships forged through ‘sonic publics’, I trace the emergence of ‘pornosonic’ media that are held in a supplementary relationship with the pornographic, and their efficacy as a transactional medium where the work of sound is affective (working at the level of the body), social (working to create arrangements of public order around sonic artifacts) and cultural (filtered through cultural norms). Locating my study around a recent set of issues in India’s mediascape, this article tracks the emergence of ‘sonic publics’ that are conditioned by the figure of the listener, her imaged aurality, and the aural tactics that are developed in response to censorship and a culture of redaction.
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